On Striking a Chord

I've been writing for a good long time now and I've been posting my stories for people other than me to read for over a decade. And yet, having one of my stories be really well-received still shocks the hell out of me.

As is obvious from my last few posts, I have been very into Once Upon a Time fanfic lately, both writing and reading. The most recent story I wrote, a little three-chapter deal titled "Can You Help Me," turned out, to my surprise, to be one of the most popular stories I've ever written.

The idea for the story was simple, really. It came from a song by the same name by Vertical Horizon that became one of my favorite songs of all time pretty much the first time I heard it. It's a lovely song, and as I was driving to work one day, the lyrics in the chorus gave me this little inkling for a post-curse Once Upon a Time story with a hurt and guilty Snow White trying to reconnect with a defensive and walls-up Emma.

It was just supposed to be a one-shot -- a complete story told in a few thousand words -- but as I wrote, it grew too long to post as a one-shot. I quickly decided to make it a three-parter and wrote the whole thing in about a week and a half.

I posted the first chapter less than two weeks ago, and the reader response to it has been overwhelming. It's been put on more alert subscriptions (which meant the readers wanted to be notified via email when I updated it) than any of my others, and it is the 4th most-favorited story I have on the ff.net archive.

To put things in perspective, I've been posting to ff.net since 2001. The three stories that are ahead of it in terms of being favorited are "Sorry" and "Locked Out," two Supernatural stories I wrote in 2007 and 2008, respectively, and the magnum opus for SVU, "The Heart of the Matter," which I wrote in 2005.

To have a story take off this quickly is flippin' insane to me. I'm thrilled to pieces, don't get me wrong, but it's insane.

It's just that it surprises me what strikes a chord with a readership. Like I said, "Can You Help Me" was a little idea I got on the drive to work. "Sorry" was based on, no lie, a real game of Sorry that happened in my family that I translated into a cute little pre-series Supernatural story, and "Locked Out" was an idea about a preteen Dean locking himself and Sam out of the motel room during a rainstorm that came quite literally out of nowhere. And "The Heart of the Matter"? I still have no idea why that story is so popular. It's a half-casefile, half-personal relationship, slow-burn Casey/Olivia story that I really don't think is anything super-special. Apparently, though, it is, for reasons completely unknown to me.

But things like that that also give me confidence. Having something that I don't think is in any way special resonate with an audience is an amazing feeling.